A matte painting I did from Turn:Washington's Spies, produced for FuseFX. A hybrid of paint and photo-stitching, painted in Photoshop and projected in Nuke. I studied period maps of 18th century London to work out the floor plan.
|original concept sketch|
It started as a series of rough sketches for approvals, and then I gradually refined it over a couple of weeks.
The final matte painting was separated into depth layers and comped in Nuke.