Here's a sequence we did for
Terminator:The Sarah Connor Chronicles at
Entity FX. A bunch of stuff happens in a submarine, so we needed a series of establishing shots of the exterior, as well as the climax shot when the submarine *spoiler alert* blows up at the end.
I started with a series of concept sketches based on the storyboards for color and composition...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNEFKxHGnyhcFdG8cYozMCiGbhQPToXtSEvpE8T27AB0cAbBQTujP2W7Io6GImXo0o1zQfP7f_7PNL1kCnIrBeMXN4ZfANJj2rzOOYku4W41lTQe-6ifGhRvfUh0KWw2Ypwd658TaDwFI8/s400/subarine_concepts_web.jpg)
The sub was modeled and animated in Maya by Pharoah Barrett, and the chrome terminator eel was animated by Andrew Lema. I comped the shot in After Effects, and used several layers of fire elements, spherized and color-corrected green, as the underwater explosion. I also layered in several time-warped dust-explosion elements to simulate underwater bubble clouds at a large scale.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCo2IM73ZNoJUa9GRaeiwTHfw-0Clo0QlLS71ykUhEYZyNaarFydIy8o77iGZNnKYjiolt0uaXEbD6bbbfSAGNMroUCxEckdy83W0JhwXiYD9_63R0Y8s_EBjFunU7bjK5xeqepjXvTCkH/s400/29_01_comp_v30.0070.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUnRFP08j-jEFjIc1aJ2hJGXWqv6cjQxDBnx6PZMm4rQybcYNhCTz4gGEv36yKtvAawyq4ZJM4JCg6UOunFVS8eSJwwkiLTX1uke_lkNpw6351rXDQtMVINnLT42AVvE7h-3B5Aty9so3v/s400/29_01_comp_v30.0079.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbMg5qmFFnzOHPY8jgYnznhlxWt-TcTRJpRbag4_OEJZLgSx2H15reXN6is21a2O2uUVBmaMhvfaEqLSZz1pdN-mrxr4nK8Vb24p_BCPaqwVDO6wfmTSRQBXvGwV66IeJfPQ6mUWgxCCI4/s400/29_01_comp_v30.0085.jpg)
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