AMC debuted its latest series last night with help from the VFX artist
Jason Dunn and his colleagues at ShutterPunch VFX. The new series
is AMC second foray into genre fiction. The series takes place in a
not-too-distant dystopian future. The subtle art of VFX matte
painting transformed idyllic southern Louisiana landscapes into the
supernatural world of the Badlands.
A matte painting I did from Turn:Washington's Spies, produced for FuseFX. A hybrid of paint and photo-stitching, painted in Photoshop and projected in Nuke. I studied period maps of 18th century London to work out the floor plan.
original concept sketch
It started as a series of rough sketches for approvals, and then I gradually refined it over a couple of weeks.
The final matte painting was separated into depth layers and comped in Nuke.