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| detail vew |
A matte painting I did from Turn:Washington's Spies, produced for FuseFX. A hybrid of paint and photo-stitching, painted in Photoshop and projected in Nuke. I studied period maps of 18th century London to work out the floor plan.
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| original concept sketch |
It started as a series of rough sketches for approvals, and then I gradually refined it over a couple of weeks.
The final matte painting was separated into depth layers and comped in Nuke.
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| Final comp |
1 comment:
This is totally rad. I'm a layman, of course. But I never realized the complexity of projecting these types of matte paintings. Of course you have to create depth -- it all makes sense now. Thanks for showing the process of how it was completed.
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